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brief - Howie Ratner (Adam Sandler) is a once successful New York gems dealer who's gambling addiction has left his family and career in shambles, and him hundreds of thousands in debt, Always looking for the next big bet, Howie thinks he finally hit it big when he discovers a rare uncut rock of Ethiopian gems, with a very interested high-profile buyer. But the closer Howie gets to finally winning big, the more he is forced to realize he can't keep running from the consequences of his actions

year - 2019

Rating - 24035 Votes

 

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The movie concerns a New York City jeweler named Howard Ratner (played by Adam Sandler) whose life is falling apart. Ratner is self-destructive. He lies. He gambles. He cheats on his wife and his marriage is falling apart. He exploits people. Other people exploit him. Many of the other characters with whom he interacts are amoral low life types (e.g., loan sharks, muscle men, and a bookie. His behavior is horrific.
The plot is an unconvincing series of difficulties one stupidly following another. In fact, instead of a real plot, it is as if we get the same scene over and over as Ratner (Sandler) repeatedly behaves in stupid self-destructive ways. The acting is problematic, with scene after scene of actors simply shouting and loudly cursing at one another at the same time.
Nothing that I saw in the first hour of the movie me gave me any desire to see more. None of the characters were minimally interesting or emotionally involving (least of all Ratner (Sandler. Do such people exist and do some people behave in this way? Yes, of course they do. I am not an innocent. However I do not enjoy seeing such unfortunates pointlessly portrayed on the screen.
And so - and this is the first time in thirty years that I have done this - I got up, left, and asked that my ticket be refunded, It was.

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That was awesome I cant stop laughing 😂 Tom Holland is voice-covering lots of animations and movies nowadays I cant wait to watch them 👍🏻. Poor man's Lego? That shit was always way more expensive than Legos. Anyone here after knowing that the OST is Knock Knock by TWICE? 🤣😂😂. I saw it just today and found it to be alright. The first half hour is very miserable and gloomy, but the movie gets more fun and creative from the part where Rex Dasher appears.

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  • genre=Biography
  • summary=Even for those who know little about dance, Merce Cunningham is a recognizable name - an iconic figure in his field. His mid-20th century collaborations with composer John Cage (his lifelong partner) and visual artist Robert Rauschenberg were central to an era of transformation. Cunningham resisted "avant-garde" or any other label. "I don't describe it. I do it," he once said. Now, with Cunningham, we have a chance to experience what he did. Filmmaker Alla Kovgan assembles the last generation of Cunningham dancers (led by Merce Cunningham Dance Company assistant director of choreography Jennifer Goggans) to present landmark works from the Cunningham repertoire. The film concentrates on the three decades from 1942 to 1972 when Cunningham was making his reputation. Gorgeously shot in 3D, Cunningham brings us closer to these works than any audience has ever been before. Taking an inventive approach with locations, the film places dancers in evocative backdrops such as a tunnel, a high-rise rooftop, and a forest. These current-day performances are interlaced with archival footage of Cunningham speaking and moving. We also hear illuminating interviews with Cage, Rauschenberg, and members of the original Merce Cunningham Dance Company, who endured years of rejection and outrage before they slowly won over audiences. "I never believed that idea that dancing was the greatest of the arts," said Cunningham. "But when it clicks, there's the rub. It becomes memorable. And one can be seduced all over again." Whether you come to Cunningham as a neophyte or an aficionado, you'll leave with a rich experience of his art
  • Ashley Chen, Carolyn Brown
  • score=105 vote
  • Creator=Alla Kovgan


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How many mini items do you want to hide around your school? Jordan: yes. Thanks spotify for this recommendation. Charlie if you're reading this, I just want to know one thing : for how long have you been playing the guitar. A remarkable achievement by filmmaker Alla Kovgan, spending seven years to make this classic tribute to the late dancer/choreographer Merce Cunningham.
Working with both archive footage and valuable sound recordings, she conjures up the avant-garde artist through recordings of his work, his philosophy of his art and comments by many close collaborators including notably John Cage and Robert Rauschenberg. Not meant as a biopic, film concentrates on spectacularlhy cinematic (in 3-D) new performances of many of his dances, executed by members of his company, which disbanded in 2011, after Merce's death in 2009.
At a q&a following the screening, Kovgan indicated that Wim Wenders' innovative 2011 3-D dance film about German choreographer Pina Bausch inspired her to take on this formidable project, finally starting shooting in Stuttgart in 2015 with principal photography taking place in 2018.
Her use of 3-D technique is outstanding, resulting in gripping visual images, enhanced by the accompaniment of the original dance scores by John Cage and others. For a novice like me, not overly familiar with Merce's achievements, the movie brings his dance to life and points to how 3-D technology can be used artfully rather than as a gimmick, or its current excuse to permit higher price points for movie admissions to films, both animated and action-oriented, that should play just as well if not better in 2-D on large screens.

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  • country UK, Austria
  • Runtime 1 Hour 45Min
  • writer Jessica Hausner
  • Audience score 1709 Votes
  • Year 2019

 

 

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Είναι ψεύτικο το ψάρι η μου φεναιται. Your current browser isn't compatible with SoundCloud. Please download one of our supported browsers. Need help? Yes, using music to induce a mood can work. But PLEASE cut back on the same annoying clip of flutes or whatever with a high pitch whistle of two tones that warble together. I may not even finish this junk if they can't stop playing that music over, and over.
Other than that I see nothing logical about their story or the characters. Just "GMO" scare material here. Come up with a result you want. Then invent a "reason. I'm much more interested in the an interesting situation and explore what that could mean (good and bad.
And add to that artificial "drama" from obviously unstable, and intransigent people.
Should have been a 15 minute short. Very little to say here.

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Little Joe Theatrical release poster Directed by Jessica Hausner Produced by Bruno Wagner Bertrand Faivre Philippe Bober Martin Gschlacht Jessica Hausner Gerardine O'Flynn Written by Jessica Hausner Géraldine Bajard Starring Emily Beecham Ben Whishaw Kerry Fox Kit Connor David Wilmot Phénix Brossard Sebastian Hülk Lindsay Duncan Cinematography Martin Gschlacht Edited by Karina Ressler Production company Coop99 Essential Filmproduktion The Bureau Arte BBC Films British Film Institute Distributed by X Verleih AG (Germany) Filmladen (Austria) BFI Distribution (United Kingdom) Release date 17 May 2019 ( Cannes) 1 November 2019 (Austria) 9 January 2020 (Germany) 21 February 2020 (United Kingdom) Running time 105 minutes Country Austria Germany United Kingdom Language English Box office $136, 242 [1] [2] Little Joe is a 2019 internationally co-produced drama film directed by Jessica Hausner. It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. At Cannes, Emily Beecham won the award for Best Actress. [3] [4] Beecham stars as Alice Woodard, a plant breeder and single mother who creates "Little Joe", a plant that gives its caretakers joy. Plot [ edit] Alice Woodard ( Emily Beecham) is a plant breeder who works in a lab that focuses on creating new strains of flowers. While her colleague Bella ( Kerry Fox) is failing at creating a hardy plant that will survive even weeks of undernourishment and neglect, Alice and her team have successfully created a flower that requires more care than an ordinary plant but which makes their owners happy. Alice decides to name the plants "Little Joe" in honour of her son and smuggles out one of the plants for him. The Little Joes begin to aggressively pollinate which Alice theorizes is because she has made them sterile. The same day Bella's dog, Bello, goes missing. Chris ( Ben Whishaw) goes looking for him and accidentally inhales some of the pollen. Later on he takes Alice out and despite her obvious reluctance attempts to kiss her twice. The following day Bella finds Bello in the lab. He attacks her and she insists that he has changed. Chris later tells Alice that Bella is mentally ill and had previously attempted suicide before being forced on a year long sabbatical, returning only shortly before Alice began working at the lab. Alice later learns that Bella had Bello put down. Bella tells Alice that the changes to Bello were due to the plant. Alice's son is accidentally pollinated by the plant and begins to act strangely, sneaking his classmate Selma, into the lab and stealing a Little Joe. He later tells Alice that he is considering moving in with his father, Ivan. Bothered by her son's behaviour Alice begins to examine test footage of subjects who have been exposed to the pollen. In every case their family members report that they are acting strangely and have seemed to change since the pollen test. However just as Alice begins to believe Bella's suspicions, Bella is exposed to the pollen herself and dismisses her previous beliefs as paranoia due to her mental issues. Joe reveals that he and Selma stole the plant in order to pollinate Ivan confirming Alice's suspicions her plant carries a virus, especially as she has used unorthodox methods to create Little Joe. However this turns out to be a joke as Chris previously talked to Joe about Alice's concerns. At work Bella reveals that she never inhaled the pollen and was only pretending to be happy in order to blend in with the others; she later tries to commit suicide. After Alice's boss dismisses her concerns she takes matters into her own hands and decides to kill the Little Joes before they are commercialized, lowering the temperature in the lab. She is stopped by Chris who, in trying to prevent her from harming the plant knocks her out on the floor of the lab, exposing her to the plant pollen. Later Alice learns that Little Joe has been nominated for an award meaning that the plant will be sold worldwide. When Chris apologizes for hitting her she kisses him, and later dismisses her concerns as paranoia. She allows Joe to move in with his father and starts a new, happier life with her own Little Joe. Cast [ edit] Emily Beecham as Alice Woodard Ben Whishaw as Chris Kerry Fox as Bella Kit Connor as Joe Woodard David Wilmot as Karl Phénix Brossard as Ric Jason Cloud as Student Sebastian Hülk as Ivan Leanne Best as Brittany Lindsay Duncan as Psychotherapist Goran Kostic Release [ edit] Martin Gschlacht, Jessica Hausner and Bruno Wagner (2020) The film had its world premiere at the Cannes Film Festival on 17 May 2019. [5] [6] [7] Shortly after, Magnolia Pictures and BFI Distribution acquired U. S. and U. K. distribution right to the film. [8] [9] It is scheduled to be released in Austria on 1 November 2019, by Filmladen. [10] in the United States on 6 December 2019, [11] Germany on 9 January 2020, by X Verleih AG, [12] and the United Kingdom on 21 February 2020. [13] Reception [ edit] The review aggregator website Rotten Tomatoes reported that 65% of critics have given the film a positive review based on 82 reviews, with an average rating of 6. 23/10. The site's critics consensus reads: " Little Joe ' s unorthodox approach may baffle horror fans lured in by its premise – but like its title character, the end result exerts a creepy thrall. " [14] On Metacritic, the film has a weighted average score of 59 out of 100 based on 22 critics, indicating "mixed or average reviews". [15] References [ edit] External links [ edit] Little Joe on IMDb.

Critics Consensus Little Joe 's unorthodox approach may baffle horror fans lured in by its premise -- but like its title character, the end result exerts a creepy thrall. 64% TOMATOMETER Total Count: 85 32% Audience Score User Ratings: 25 Little Joe Ratings & Reviews Explanation Tickets & Showtimes The movie doesn't seem to be playing near you. Go back Enter your location to see showtimes near you. Little Joe Videos Photos Movie Info Alice, a single mother, is a dedicated senior plant breeder at a corporation engaged in developing new species. She has engineered a very special crimson flower, remarkable not only for its beauty but also for its therapeutic value: if kept at the ideal temperature, fed properly and spoken to regularly, this plant makes its owner happy. Against company policy, Alice takes one home as a gift for her teenage son, Joe. They christen it 'Little Joe' but as it grows, so too does Alice's suspicion that her new creations may not be as harmless as their nickname suggests. Rating: NR Genre: Directed By: Written By: In Theaters: Dec 6, 2019 limited Runtime: 100 minutes Studio: Magnolia Pictures Cast News & Interviews for Little Joe Critic Reviews for Little Joe Audience Reviews for Little Joe Little Joe Quotes News & Features.

#moviefreedownload Link Little Joe. *HD*1080P Watch Little movie 1080p download, Download Little English Full Movie 'Watch"Little"Joe"Online"Rottentomatoes. TWO OF THE BEST IN TEJANO MUSIC.



Published by: Chip Mayes
Resume: Striving to be the best American I can be.

 

 

 

Little Joe
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Year - 2019; abstract - VHYes is a movie starring Kerri Kenney, Thomas Lennon, and Mark Proksch. This bizarre retro comedy, shot entirely on VHS and Beta, follows 12-year-old Ralph as he accidentally records home videos and his favorite late night shows; Country - USA; Cast - Thomas Lennon; ; directors - Jack Henry Robbins. Watch cheese it bowl live. Awesome cover. Watch chest. Why is nobody talking about how good Shanes Star wars sounds were! 🤔🤔🤔.

A new kind of video player Because a video player should do more than just play videos. Watch This automatically organizes your movies and TV shows, tracks what you've watched and notifies you when new episodes from your favorite shows are available. Nothing to watch right now? Watch This also has support for streaming sites like as well as live TV channels, so you'll always be entertained. Damn, that's a lot of big names in the film. Watch vhs movie. Watch vhs 1. Watch vhs full movie. That guy looks like the Paul Blart: Mall Cop LOL. Watch vhs tapes. Oh look, it's another movie that shows just how undisciplined marines are in a combat zone.

NEWS    JOIN    SUPPORT. Good looks. Watch vhs. Anyone know the song name. Watch vhs on computer. Another remake. I can't believe he's 39. Very good cover. I understood only 11% percent of what he was saying. Trousers - Scooby Doo Way Scarier than this Doo Doo. Elephants are more important than people? How about creating an economy. Lets be real All his parts are great. Watch vhs 3. WatchThis! Marka „WatchThis! ” to połączenie piękna, unikalności i ekologii. Biżuteria wykonywana ręcznie z zega... See More Opens at 11:00 AM Closed Now Facebook is showing information to help you better understand the purpose of a Page. See actions taken by the people who manage and post content. Page created - July 10, 2013 W weekend widzimy się w Warszawie 🙋‍♀️ See you in Warsaw this weekend 🙋 ♀️ Translated It looks like you may be having problems playing this video. If so, please try restarting your browser. Close EXPO XXI Warszawa - Międzynarodowe Centrum Targowo-Kongresowe Anatomiczne serce w barwach WatchThis! 🖤 Anatomy Heart in the colors of watchthis! 🖤 Translated.

Just finished watching it and its a masterpiece in the disaster movie realm. 10/10. Watch vhs online free. Im from Buffalo NY and Im at a loss for words 😂. Looks like a Matrix twist.

 

Dillion Harper. Im just gonna leave that there. I feel like I already saw the full movie. Lol. Watch vhs 2. The sequel from the wave is RELEASE NOW. the tittle is The Quake. I feel like I just saw most of the movie... Matthew McConaughey in a Guy Ritchie film is enough to have me interested. Watch chesapeake shores free. Song name? 00.52. He is adorable and not cringey so A. This is nothing compared what hes went through with the Dursley family. Looks like a young nazi. This actually happened in Kedarnath. Pretty cool seeing Harry graduated from Hogwarts and took on acting. He's been doing pretty well.🤣. I watched it at the Vancouver film festival. Thought it was great and have been hoping to watch it again.

I literally can't wait 😍😍😍. Watch vhs horror. Just Alohamora! Geniuses...

 

 

 

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Genre Action, Horror Josh Boone release year 2020. Can I get a part 3. I loved it😍. 1:46 Jonathan sees the demogorgon. I loved her hair and everything in suicide squad, but this movie was still amazing. Charlie looks soooooo good. Good job TeaserPRO. Aku minta tambah flm imlek. Nobody could ever replace Hugh Jackman.

I love me some horror and adding it into the X-MEN Hell yeah I want more, please. That will Ferrell movie looks like complete trash. Sau hơn ba năm bị trì hoãn, rốt cuộc bộ phim “The New Mutants” (Dị nhân, Thế hệ mới) cũng đã có phim quảng cáo chính thức cũng như ngày công chiếu đầu tiên vào tháng Tư năm 2020. Đối với giới ghiền xem ‘‘phim Marvel’’, đây là một dự án khá táo bạo, kết hợp dòng phim siêu anh hùng với thể loại phim kinh dị. “The New Mutants” là tuyến ngoại truyện của loạt phim X-Men. Chỉ có điều là trong phim X-Men, có trường thần đồng của giáo sư Charles Xavier, trong khi truyện “The New Mutants” lại diễn ra trong một trại giam cách ly chẳng khác gì một bệnh viện điều trị tâm thần. Bộ phim kể lại câu chuyện của năm bạn trẻ, mỗi người có một khả năng siêu nhiên: Magik (Anya Taylor-Joy) có tài biến hiện di chuyển như phép ma, Wolfsbane (Maisie Williams) là một dạng Người sói, Mirage (Blu Hunt) có tài tạo ảo giác, Cannonball (Charlie Heaton) bay tung không khí, Sunspot (Henry Zaga) điều khiển năng lượng mặt Trời. Dự án cuối cùng của 20th Century Fox Các dị nhân trẻ tuổi trong “The New Mutants” (tựa tiếng Pháp Les Nouveaux Mutants) bị giam giữ trong một cơ sở bí mật, họ phải tự học cách kiểm soát năng lực siêu nhiên của mình để thoát khỏi trại giam, nhưng đồng thời họ phải đối phó với một mối hiểm nguy từ bên trong, một hung thần có tên là Demon Bear (Gấu Ma) ban đầu vô hình, nhưng lại có nhiều khả năng biến hóa, sức mạnh tăng thêm nhờ hấp thụ cảm giác sợ hãi của đối phương. 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Từ cách dàn dựng cho tới việc chỉ đạo diễn viên, êkíp làm phim liếc nhìn qua những tác phẩm kinh dị với những pha hù dọa làm “đứng tim” khán giả. Dẫn đầu nhóm dị nhân trẻ là hai gương mặt nữ quen thuộc Anya Taylor Joy (Split và The Witch) cũng như Maisie Williams (Game of Throne). Điều này công nhận xu hướng ‘‘nữ quyền lên ngôi’’ trong dòng phim siêu anh hùng (sau thời kỳ Me Too). Hầu hết các phim quan trọng trong chu kỳ thứ tư của Marvel náhn mạnh đến các nữ anh hùng như Natalie Portman trong Thor, Scarlett Johansson trong Black Widow, Angelina Jolie và Salma Hayek trong The Eternals... Nguy cơ kiểm duyệt cảnh phim đồng tính Trước “The New Mutants”, đã có một số dự án làm phim siêu anh hùng nhưng với một nhãn quan đặc biệt hơn, khác với ngôn ngữ hình ảnh nhắm vào đại chúng và lối kể chuyện quá ‘‘trơn tru’’ thiếu gai góc của Marvel. Đó là trường hợp của Logan và nhất là của Brightburn khi siêu nhân "tí hon" trở thành kẻ giết người hàng loạt. 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Suy cho cùng khả năng quan trọng đầu tiên của các siêu anh hùng vẫn là cái tài ‘‘hái ra bạc tỷ’’.
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Love the Canadian South Park cameo 😂. ずいぶん時間かかったな.

Ya parece pelicula de terror XD

Spongebob guys voice - “three years later... ”

Im definitely excited about this! Hopefully, we see Magik go full Limbo. YouTube. This movies makes me feel as if am playing gta vice city. I am so glad they're still releasing this. I've never been so excited for a comic book movie. Xmen is my favorite and this looks SO GOOD.

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Its more like a thriller/ horror based on this trailer. Dark phoenix: i'm about to end this whole franchises career new mutants: i'm about to end this whole franchises career... again. Theres also The Gifted series. Wow emily b two muvees cool.




Reporter: Shia Lé Buff
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Publisher Lancer Marx
Resume Twitter pessoal de Leonid Afremov no Brasil. Sou um artista impressionista. Seja bem-vindo!


directors Aaron Fisher
release year 2020
Writed by Aaron Fisher
Genre Drama, Romance
So we are getting Kill Bill of. Segal? Seriously? My Lord, my God, why hast thou forsaken me. And goodnight. This is one of the only reasons I play minecraft, and I need a command so I can have it permanently night on minecraft. YouTube. 2 wins & 3 nominations. See more awards  » Edit Storyline College film student Benjamin Glass (played by writer-director Aaron Fisher) has it all: ADHD, OCD, borderline personality. And he's also bipolar. But Glass is more than his diagnoses - he prefers the term "recklessly extravagant" -- and he's determined to prove his genius. When a misunderstanding threatens to expel him from college, Glass pushes back; he plans on recreating the incident on video, with the help of a moonlighting porn actress (Ellen Toland), to clear his name. But how will he raise the money for the film, when his parents dismiss the scheme as another manic episode? Inside the Rain is a wincingly funny rom-com-drama, anchored by off-kilter performances by co-stars Fisher and Toland. The colorful ensemble cast includes Rosie Perez as a tough love shrink, Eric Roberts as an unhinged film producer, and Catherine Curtin and Paul Schulze as the long-suffering parents. The ultimate underdog film and proof that if you believe in yourself, anything is possible. Plot Summary | Add Synopsis Details Release Date: 13 March 2020 (USA) See more  » Also Known As: Inside the Rain Box Office Budget: $1, 000, 000 (estimated) See more on IMDbPro  » Company Credits Technical Specs See full technical specs  » Did You Know? Trivia A patient of Dr. Holloway (played by Rosie Perez) is played by former world boxing champion Zab Judah, who appeared on set to the happy surprise of Rosie Perez, who is a boxing fan. See more » Frequently Asked Questions See more ».

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Afterwards chinese song. Afterward clue. About three years ago I was a science reporter on board the North Atlantic research vessel, Baseline Explorer. We were roughly twenty km off the coast of Bermuda at the time, and I was getting set to go down in a two-man submersible, something I’d wanted to do since I was a kid. The pilot of the sub was a deep sea veteran called Percy, great guy, great sense of humour; spoke with a thick Texan drawl that made even dumb things sound folksy and wise. First words he said to me were: ‘you ever been down in one of these? ’ ‘Never. ’ I was grinning, excited as a schoolboy. I was practically shaking. ‘You’ll never forget it, ’ he assured me. In hindsight that was some genius-level foreshadowing if ever I heard it. These submersibles weigh in at about eight tonnes, rigged with state-of-the-art scientific equipment, massive search beams mounted just forward of the acrylic bubble, they’re ultra-manoeuvrable even at extreme depths, you can spin them three sixty degrees on a dime, and they have this massive hydraulic arm that the pilot controls with a joystick, I saw Percy move that arm so skilfully I swear to God he could have plucked the pacifier out of a baby’s mouth without even waking it. When he wasn’t piloting the sub Percy liked to play computer games back in the ship’s rec room. I’ve played untold levels of Call of Duty with him and take it from an old-school gamer like me, this guy is crazy good, and what’s even crazier, he’s fifty-eight years old with six grandchildren. Percy was a great guy. But after that voyage, my first, his hundred and third, he was never that same guy again. None of us were ever the same again. The submersibles are miracles of engineering, they can withstand up to twenty-five EAs (Earth Atmospheres), which basically means twenty-five times the pressure at surface level. That’s the equivalent of an ant moving around with twelve jumbo jets parked right on top of it. I’ll never forget the sensation the first time I slipped down through the bubble’s hatch. I was scared. I knew what to expect but I didn’t expect the bubble to be so small, it felt claustrophobic, like climbing down into a tumble dryer, but it actually wasn’t so bad once I was seated. We had a panoramic view of the world through the wrap-around glass, better than IMAX, but as the ship’s crane lowered us into the water I couldn’t help wondering whether this was the last time I’d ever see the sunlight. I was nervous about the journey ahead. My publishers wanted a video essay of a deep sea dive in one of the subs, which made sense seeing as my job was to report on all the functions of a scientific research vessel, but we were going down close to the sub’s limits, almost a thousand metres, and suddenly the whole thing was very daunting. But Percy quickly put me at my ease, he’d been down over a hundred times, and in his opinion it was safer than driving to the neighbourhood liquor store. As the sub descended into the depths it felt like we were motionless for long periods of time, like we were just hanging there in an eternity of blue-tinted space, but Percy assured me we were still descending, still going down, the water becoming bluer, darker, the deeper we went. There was a second submersible trailing us like a ghost. The pilot was an Israeli guy called Avi. He was a stoic son-of-a-bitch. I’d been on board the Baseline Explorer three weeks and I’d never seen him crack so much as a smile. He was nicknamed The Machine. The name fit him like a glove. He flashed his searchlights at us at the beginning of the trip when we were hovering close to the surface, and sometimes Percy would talk to him over the radio as we made our way down, but it was all professional chitchat, The Machine wasn’t the kind of person who inspired small talk. As co-pilot of the sub it was pretty much my job to keep the glass clear of condensation, so every few minutes I’d give the inside of the acrylic bubble a wipe-over, the rest of the time I was filming and commentating on whatever I was seeing around me. Around 200 metres down we started moving from the epipelagic zone (the sunlight zone) to the twilight or “mesopelagic” zone, and now the ocean turned this deep aquamarine, like the sky just before dawn, we see a moray eel slithering through the cone of our search lights, a school of grouper fish flittering around us like silver confetti, and The Machine calls our attention to a couple of small tiger sharks that follow us for a while and then peel off into the darkness. We’re almost a thousand metres underwater and its pitch black. We’re in the midnight zone. Not a single photon of light is able to get down this far. The only source of illumination is our searchlights. We’re just fixing to start heading back when suddenly Percy kills all momentum. We’re just hanging there. “What’s wrong? ” Percy looked stone-faced, his skin had drained of all colour and his lips were trembling, like he was muttering something under his breath, and he had this fixed expression on his face, this intensity to his gaze that warned me something was off. ‘Percy…? ’ Percy reached out and snapped the searchlights off. ‘There’s something out there, ’ he whispered. I don’t know how to describe the impact those words had on me, you can report the things a man says, but it is hard to convey the way he says them, and the way Percy said, “there’s something out there, ” sent an instant chill down my spine. He sounded scared. Only the sound of our breathing now as we both stared out into the pitch blackness. There was something out there. I couldn’t see it, but I could sense it, something was watching us, and I’ve never felt anything like that before, I was an atheist at the time but afterwards I would describe it as a religious experience. I have no idea what I meant by that. I was in shock at the time. I don’t know what the fuck I was saying. ‘What is it? ’ I barely recognised the sound of my own voice, it sounded thin and childlike, like suddenly, in a heartbeat, I had regressed to infancy. I gripped Percy’s arm. ‘What’s out there? ’ I turned to him. He looked like death. He looked more scared than I have ever seen a man, computer lights patterning his features, shadows scavenging his flesh, his eyes yellow and glazed with terror. What the hell would scare a man like Percy? He was hard as nails, an adrenaline junky by all accounts, but right then he looked like he was walking the green mile. I turned back and stared out the bubble of the Atlantis. Darkness so deep it seemed to swallow my thoughts. What was out there? Why was I shaking with this incomprehensible dread? It felt like a premonition of doom. The searchlights from the second sub carved past us, The Machine oblivious to what we could so clearly sense, he was manoeuvring his sub sideways, trying to figure out why we had come to a full stop. ‘Turn the lights off, ’ Percy whispered in a voice tight with panic, and then suddenly he jerked forward and flicked the radio toggle. ‘Avi, turn your fucking lights off, ’ he hissed. But it was too late. The searchlights illuminated something in the darkness below us and to my dying day I wish I’d never seen what I saw next. It’s haunted my dreams ever since. I’ve burned through three marriages and an army of therapists, I’ve attempted suicide three times, and I’m addicted to opioids and booze and I still can’t get that image out of my head. At first I thought I was looking down at some kind of luminous disc of immense size, I’d guess three times the diameter of our sub, so I’d say about twenty feet across, and it was a silvery texture, soft and slightly faceted. There were bands of colour radiating outwards from this circle of absolute black that sat right in the centre of the disc. I can’t describe that black. It was darker than the absence of light, it was the fucking absence of hope; before he put a bullet in his head three years ago Percy called me up: ‘it was like looking into nothing, ’ he told me, ‘absolute zero – it tore my fucking mind apart…. ’ He was sobbing as he spoke. He was in a bad way. His wife had left him. His kids had disowned him. He’d lost his home. His job, his dignity…and finally, he lost the reason to go on living…. Nietzsche once said: “when you look into the abyss, the abyss also looks into you. ” That’s what it felt like staring into that black circle. Like it was staring back at me. I saw it for maybe a second before The Machine snapped his searchlights off, but there was an eternity in that second, there was the sensation of falling into the abyss, being swallowed by the darkness, of slowly losing my mind…. It was an eye. That disc with the black circle in the middle had been a fucking eye that measured twenty feet across, and to this day my skin goes cold when I remember it, this colossal eye staring at us out of the dark, and the intensity of that gaze was beyond human comprehension, it was an intelligence measured in aeons, it was an evil beyond scripture, beyond reason, and it laid its immemorial gaze upon us, and we were blighted by it, scarred by it, destroyed by it… God help us…. And then The Machine snapped his searchlights off and the darkness took away that awful vision, but not the memory of it…I felt despair unlike anything I’ve ever experienced, a black terror filled my heart, that eye, Jesus Christ in heaven, how big was the monster that possessed that eye….? It felt Biblical. I didn’t have to look at Percy to know he was feeling the same thing. That eye did not belong to a thing of reason or nature; it was not a thing of science, it was a monster, it was the mother of every nightmare our children wake screaming from. And even as I thought this, Percy whispered: ‘…curse that day, those who are ready to rouse Leviathan…. ’ And to my ears he sounded like a dead man quoting scripture. I gazed into the darkness ahead, I knew that eye was still staring at us even though I could no longer see it, I felt the crushing weight of its gaze, and I was drunk with the horror of it, making sounds at the back of my throat, attempts to speak but no words came out, I was trapped, I wanted to run and hide but sitting in a tiny submersible one thousand metres below sea level there’s nowhere to run, and nowhere to hide…. The radio crackled, The Machine was saying something but I wasn’t listening, I was still staring into that god awful darkness. Something was moving out there, I could sense it, like a mountain turning its ancient face towards us, and I could feel the dreadful gravity of that monster as it turned, the most horrific images flashing through my head, mass graves filled with bodies not quite dead, a wolf chewing through a leg caught in a hunter’s trap, emaciated children standing behind a chain link fence, refugees caught on barbed wire borders, screaming for help, I was tearing at my hair and beating at my skull, but the images only grew more horrific, and my brain felt like one huge, pulsing blood-clot. I heard Percy howling in pain and terror. I heard my own screams from a million miles away. And then, abruptly, the images were gone. I sucked in a sobbing breath, and turning to Percy I yelled: ‘Get us out of here! ’ He shook his head. ‘Look, ’ he said. Something had appeared in the darkness ahead. There was some kind of fissure opening up in the inky void, a fiery glow spilling out of it that illuminated the surrounding ocean, and as I watched, the fissure grew wider and wider, until it gaped almost a hundred feet wide, maybe more, and that fiery, larval glow filled my entire forward vision, it was the colour of napalm and post nuclear sunsets, and staring into that yawning chasm I swear to God I saw hell incarnate, filled with multitudes of tortured souls. My therapists all said it was a hallucination. But Percy and The Machine both saw the same thing. The fissure opened into a cavern of impossible dimensions, so vast it contained entire mountain ranges, and fiery lakes, and rivers of boiling blood, and molten rain, burning as it fell from thick sulphur yellow clouds, and I saw naked multitudes, thousands upon thousands of screaming souls, being snatched up by enormous winged beasts and cast into these lakes of fire. The winged beasts were horrific looking, some kind of hybrid, they carried pitchforks and branding irons and some of them had the heads of birds and the bodies of men, and others were reptilian monstrosities, but all of them, I sensed, were filled with a black hatred for humanity. Percy was screaming the Lord’s prayer, and I remember my mouth stretched wide, gaping in horror, and tears streaming down my face, and then, that awful fissure slowly closed, and I think it was that moment I realised I had been staring into the mouth of that creature…. I don’t remember how we got back to the surface. I remember they had to handcuff me to a cot in the infirmary once we were back on board the ship, I was screaming, I couldn’t stop, they made me wear diapers, I couldn’t even control my bowels. I was in the infirmary three days, screaming and shitting myself into a stupor. The Machine hung himself a week after returning home. His wife found him. He left a note. A single word in Hebrew. “Leviathan. ” I’m trying to put it behind me. It’s been six years and I’m the only one left. The days are getting better, but I dread the coming of night, sinking down into sleep the way we sank down into that abyss, terrified of what awaits me in my dreams. I’ve never been back to the ocean. God bless us all.

Afterwards song. Hey its the rebel girl from Rise of Skywalker. Afterward jennifer mathieu. My English teacher in high school showed this story to the class and its one I think about constantly.

 

A 2d animated movie. Now that's a real christmas present. EDIT: Just watched this movie, it was beyond everything I expected off it, this is my new Homealone from now on. Afterwards synonyms. Afterward full movie. That Hyenas laugh was better than the ones in The Lion King. Afterwards menlo park. THIS MOVIE IS WAYYY BETTER THAN IT SEEMS! NOT KIDDING. Afterwards in spanish. Afterward trailer. Afterword crossword. Afterwards definition. Thank you michael. killed it. great move. great vision too cudi. Afterward documentary. Afterward delight. I am so happy for you!❤️. Afterwards movie. Ive watched the movie 🎥 and i love it! Simple story but entertaining! Salma hayek is hilarious 😂.

Afterwards poem in hindi. I have the perfect slogan for this: below the surface, no one can hear you scream. I'm with you should NOT have quit this I will still feel this way tomorrow and a week from were still 2 states to try for AT Chappelle could've been huge in trying to get SC have fought longer than 2 still had this huge YANG GANG to promote him in the other miss you and Elasa for a lot of time with sucks. Afterward in spanish. I've argued in the past that Eldar as a whole are a lot less xenophobic and murderous than the Imperium, even if having way more reasons to be so than the human empire. It has happened in another thread that the question about Eldar feelings about killing other sentient beings has resurfaced in another topic. As promised to u/Sehtriom here I present some excerpt that I find may shed some light on the subject. Please feel free to add something I missed and enjoy the reading. TL, DR: non-Dark Eldar make quite a big deal of human killing and even suffering. Path of the Eldar, volume 2: Path of the Seer Thirianna is a Dire Avenger in a force tasked with killing everyone inside a complex, in a pretty standard Eldar engagement. Thirianna took it all in at a glance, her focus drawn towards another door on the opposite side of the room. The squad moved quickly, securing the door and a window that led to the balcony. Thirianna was first into the next room. It was some kind of eating area. A long table flanked by high-backed seats stretched the length of the room, set with plates and candlesticks as if ready for a meal. Thirianna heard a whimpering noise and leapt onto the table. She ran along its length, picking her way between the dishes and candlesticks without effort. At the far end of the room was another seating area, with overstuffed chairs and a round table. In the corner cowered a female human. With her were three children: one male, two female. Their faces were red and wet, their eyes glistening. The taint of Chaos permeates this place, said Kelamith. All must be purged. The humans made whimpering, animal noises as Thirianna brought up her shuriken catapult. The ambient light in Thirianna’s bedchamber was dimmed. She lay on the soft floor and looked at the shadows on the ceiling, watching the slowly-changing patches of dim light and dark shifting. Her slight body, narrow waisted and slender shouldered, was immobile. Her thin face was half hidden by the long sweep of white hair that lay across it, obscuring the tattoo of Alaitoc’s rune on her right cheek. Thirianna’s deep blue eyes roved from side to side as her gaze hunted the darker shadows, which constantly slipped to the edges of vision, refusing to give up their secrets. She smelled something strange: blood. A moment later she felt a pain in her hands. Lifting them up, she saw that she had dug her nails into her palms. She watched a droplet of her life fluid slide down to her wrist and drip onto her bare stomach. Something was wrong. A presence squirmed in the recess of her mind. The smell and the sight of the blood stirred it. The touch of Khaine, the anger of the Bloody-Handed God awakened. Thirianna closed her eyes, seeking peace in the darkness. Her vision was filled with the blood red of her war-mask. With a gasp she opened her eyes again. She whispered the mantras she had been taught, seeking to put aside that part of her that was Thirianna the Dire Avenger. Her brow itched, feeling upon it the rune of her shrine that had been painted there in blood. She lifted her finger to her forehead but felt nothing. There was no blood there. She had removed the rune and chanted the verses and still a remnant, a dagger shard, remained in her mind. Trying to relax, Thirianna took a deep breath and laid her hands on her chest. She felt the beat of her heart through her fingertips, swift and strong. The nagging sliver of Khaine would not go. She wondered if perhaps she should go to the shrine, to seek the guidance of Nimreith. She dismissed the idea. Thirianna felt that if something was amiss, she would be able to deal with it. Closing her eyes again, she probed at the wound in her psyche, feeling around the raw edges, hesitant to look deeper. Veiled with mental curtains, the memories within were part of her war-mask, detached from the rest of her thoughts. She felt them throbbing behind the locked synapses of her brain, insistent for attention. What could be so important that it demanded to be seen? Slowly, Thirianna folded back the curtains of her thought for a glimpse, the tiniest flicker of acceptance. She screamed, mind awash with a vision of crying children and the dying shrieks of their mother. During a vision quest, while training as a Warlock, she goes 'astral traveling' through the Webway and stumbles upon a Drukhari raiders staging point The webway encompassed the world of the tower but did not penetrate it. The threads of the infinity circuit surrounded the bubble but made no inroads towards the tower itself. Thirianna could see small figures of eldar walking along gantries and the docks, but she had no means of approaching closer. When she realised what the eldar on the dockside were doing, she decided that it was for the best that she could not come any closer. The eldar, garbed in highly stylised, barbaric clothing, bearing whips and scourges, were leading a seething mass of aliens from their ship to a yawning gate in the side of the tower. As the portal opened, the sound of shrieks and moans filled the air. Thirianna felt wave after wave of torment roiling around the reality bubble; agony unending poured like a flood from the gate of the tower. Turning her attention to the newest arrivals, Thirianna recognised humans, several dozen of them, amongst the miserable throng. The other creatures, some hairy, some scaled, some squat and misshapen, others upright with two arms and legs like eldar, were not known to her. They were all bound in energy cuffs, glowing bands of red around their ankles and necks. She could not see any more detail, and for that she was grateful. Later on, when arming and preparing in her former Temple and donning the Warmask as a Warlock, she again experiences her traumatic experience, dealing with the painful awareness of being a killer: Thirianna waited in the dark antechamber in the Shrine of One Hundred Bloody Tears, sensing the exarch in the room behind her calling the Dire Avengers to battle. She knew that she would have to reach into her memory and bring out the experience she had shut away. It was concealed firmly behind her war-mask, and Kelamith had hinted that the coming battle might bring it forth without Thirianna’s volition. Better now, she had decided, to confront this potential nightmare in the sanctuary of the shrine, than risk it taking her unawares at a critical moment. She began the mantra that brought forth her war-mask. She paused as it was settling into place, keeping a hold of her normal self to avoid being consumed with bloodlust. The witchblade in her hands thrummed with life, woken by her dark thoughts. Placing the blade to one side, disassociating herself from its war-hunger, Thirianna sat cross-legged in the middle of the chamber and closed her eyes. She pushed through the red film of the war-mask and opened herself to the memories that lay beyond. Dozens of recollections flooded through her, each a vista of death, a vignette of bloodshed. She shuddered, caught between the horror of the atrocities she committed and the ecstatic feeling that had flowed through her when she had perpetrated them. Yet there was nothing there that caused her greater concern than before. She had seen these things when she had prepared for the battle with the orks. There was another memory, so vile to her she had cast it down into the abyss of her thoughts, where even her warrior-self would not have to contemplate it. She baulked for a moment, afraid to venture further. Her skin felt slick with the blood of those she had slain, her ears rang with their wounded cries and death rattles, her heart pounded with the sensation of their fleeing life. Thirianna withdrew a little way, allowing the warrior-memories to recede, leaving her in peace again. She slowed her heart and breathing, instilling calm. If she were to unleash this dark memory she would have to do it swiftly, diving past the other recollections into its lair. Hardening her heart as much as she could, filled with trepidation, Thirianna thrust herself into the past, sweeping past the battles into the dark maelstrom of her innermost secret thoughts. She ran along its length, picking her way between the dishes and candlesticks without thought. With her were three children, one male, two female. The eldest female, the mother, shrieked something, covering the children with herself. Thirianna ignored her wails and opened fire, shredding the woman’s body. The children screamed, their tear-streaked faces spattered with the blood of their mother. The largest of them, the boy, leapt to his feet and charged Thirianna. She reacted without thought, stepping aside from his clumsily swinging fists. She swung the shuriken catapult, bringing it down on the back of the boy’s neck, easily snapping the young human’s spine. He flopped to the lacquered floor without a further sound. The two girls squirmed, trying to free themselves from the dead weight of their mother, eyes wide with horror as their brother’s corpse twitched in front of them. Thirianna looked at the youngest. She was barely old enough to walk, yet the look in her eyes seemed weighed with a lifetime of sorrow. The Aspect Warrior fired again, ripping out the child’s throat with a short salvo. The last struggled to her feet and turned to run. It was futile and she went down in a mess of blood and ragged dress, her blonde locks covering her face as she tumbled onto a rug. Thirianna looked at the sprawling bodies, the swirl of their blood and the splay of their dead limbs. They had been so fragile, so easy to slay. She laughed. Falling to one side, Thirianna let out a wild howl of despair. Her own laughter echoed around the chamber, haunting and deliberate, full of contempt for life. The seer clasped her head in her hands, filled with guilt and shame, her body convulsing as she remembered every fleck of blood on the faces of the dead children. She saw the edges of the mother’s ribs, bloody and scratched from the shurikens, poking out from beneath her laced bodice. She could smell the blood, hear the crying. Every part of her wanted to flee. Thirianna resisted the urge to hurl the memory back into the blackness, a tiny part of her strong enough to face the full fury of her own violence. Over and over she watched the family dying, yet it never dimmed, and the memory of her exultation at the act wrenched at her spirit each time. Panting, Thirianna forced herself to her feet. She had to accept this; she had to acknowledge that part of her capable of committing such an act. They were only humans, she told herself, but her justification felt hollow. They were not innocent, she reasoned, they were tainted by Chaos, but she knew that it was a delusion. I am a murderer, she thought. Another part of her mind railed against the accusation. Her war-mask flowed, bringing out her warrior spirit. She had been a Dire Avenger, incarnation of a purifying flame. She had slain hundreds, guilt or innocence were irrelevant. It was not the act itself that so appalled Thirianna, it was the joy it had brought. It sickened her, that laugh, the utter disregard for life that she had shown. It rang again in her ears, chilling, devoid of compassion. The slaughter may have been justified or not, it may have been a necessary precaution or cold-blooded murder. What Thirianna could not deny was the satisfaction it had brought. It had not been an act of instinct in the heat of battle, a life-or-death decision to slay or be slain. It had been cold-hearted, reasoned, and was all the more enjoyable for it. The heinous act had thrilled her so much because she had known full well what it was she was doing. It was the simple matter of doing the unthinkable, without blame or shame, which had been exhilarating. It was a true moment of Khaine’s bloody work, unhampered by logic or morality. Another thought burst through Thirianna’s internal recriminations. Even in her moment of high-handed triumph, she had known she was bewitched with the bloodshed. After the battle she had quit the Shrine of One Hundred Bloody Tears, turning her back on the Bloody-Handed God, forever expunged of her desire for war. The act, callous as it was, had freed her from Khaine’s grip. Focussing on this, Thirianna recovered some of her equilibrium. As the visceral nature of the memory subsided, she was able to hold on to that simple fact**: at her darkest moment she had triumphed. She had stood upon the brink of accepting Khaine’s embrace, of becoming enamoured of death and blood-letting, but it had not trapped her. ** It was the nature of the Path that a life be composed of many such moments, where one trod the line between safety and utter obsession. Thirianna had passed the test, and she had moved on. It was only from shirking her duty to those she had slain, by trying to forget them, that she had poisoned herself. The memory was quickly losing its power to unbalance her. The more she examined it, the more Thirianna consoled herself to the grievous act. Confronting what she had done, she could feel the guilt and shame she had not felt at the time. In accepting the punishment, the raw feeling that sang along her nerves, she could atone for her bloody ways. Reaching out a hand, Thirianna called to her witchblade. It leapt to her grasp, singing its own deadly song. She Who Thirsts threatened again, through the humans once more. Thirianna would have to kill again, not only to save her own life, but to save the lives of future Alaitocii. Human lives would be saved too, though they would never comprehend the benefit for themselves. The thought did not make what she had to do easy, but it made it a fraction more palatable. Thirianna heard the dull chanting of the Dire Avengers in the adjoining chamber. Their ritual was coming to its climax, as each would be daubing the rune of the shrine on their foreheads and taking up their war-masks. She crossed the room and lifted her helm from its hook. She too was ready. As she leaves the Path of the Warlock and turns to Farseer, while sitting in Council these are the thoughts about the human race: In that time, Thirianna learned a lot about humans and their way of war. Through the visions granted by the skein, s he saw the paradox in their nature. In one regard they were blunt and predictable. They lacked any kind of subtlety, preferring their brute strength over sophistication. They could be trusted to tackle any obstacle the eldar placed before them head-on, and in this was found their greatest weakness. They could be lured and directed, forced into battles that favoured the eldar. Their xenophobia, their creed of self-punishment and sacrifice could prove their undoing, bringing them into battles that they could not hope to win yet ones they would fight out of blind devotion and hope. Yet for all their barbaric ways, the humans were also fickle. In each of them nestled the seed for great heroism and great cowardice. Compared to the lives of the eldar, the humans lived for a brief moment, and their threads were little more than remnants scattered across the skein, the vast majority passing their lives without meaning or impact on the wider universe. A few of them were different, but were not necessarily marked out by status or rank. A lone sergeant might rally a line rather than flee; a medic might brave a storm of fire to rescue an officer who goes on to lead a new attack; a gunner mans his weapon when others have retreated to hold back an Alaitocii counter-attack. Not only did moments of positive qualities make the picture unclear. Unexpected cowardice, ill discipline, poor communications on the part of the humans could unsettle the plans laid by the eldar. Just as the Alaitoc war host had to be precise and focussed in its movements and attacks, the responses of the enemy had to concur with the desires of the eldar. These excerpts offer the POV of a quite 'standard' Craftworlder: controlled, focussed, emotionally aware and disciplined. The other two books of the serie, instead, can offer other approaches, that ultimately lead to very different fates: in one, Path of the Warrior, the protagonist goes on to become an Exarch, and thus a fully ordained and obsessed killer. In the other, Path of the Outcast, the main character leaves the Craftworld way to become a ranger, a corsair, a pirate... only to rejoin the Path in the end. Sidenote: he'll leave again to join the Ynnari, and you can read about him in the Rise of the Ynnari serie. Asurmen, Hand of Asuryan During a battle against Chaos tainted humans, straight out a Phoenix Lord's mind. Stormlance is his personal aircraft. Asurmen fought against the surge of elation that greeted the destruction of each fighter craft. He reminded himself that each blossom of flame and shrapnel was the death of five living beings, even if they were only humans. The fact that they were Chaos-tainted, already the Lost, was something to be lamented, not celebrated. It was hard to maintain discipline in the face of Stormlance’s exuberant satisfaction. Human cultists inspire sheer terror in a mother, during a boarding action (also, do not mess with scared eldar children): She sat down on the bare floor, Manyia in her lap. The baby was no longer screaming, but her thoughts were a whirl of agitation. Neridiath stroked her hair and whispered comfort, accompanying the physical reassurance with mental projections of safety and calm. A sudden clatter from the corridor snapped Neridiath from her bonding trance. Footfalls approached, many of them, too heavy to be eldar. Human voices, unintelligible, barking out every few heartbeats. The matrix was awash with their thoughts, of loot and destruction, just as the faint internal breeze brought the stench of their unwashed bodies through the door of the storage chamber. Neridiath was frozen with dread, her sanctuary violated against all expectation. There was nothing she could do, her shelter had become a trap. She desperately looked around the room but there was nothing to hide her or Manyia. The floor and shelves were bare. She eased herself to her feet, sliding her back up the smooth wall, moving sideways so that she could not easily be seen through the open door. A moment later the first of the humans stepped into view. It had bare legs and arms, neck to thigh covered with a thick tunic tied at the waist with a broad belt. Its flat face was sallow, eyes a sad brown as they turned towards the storage bay. Its head was topped with an unkempt thatch of black hair, greasy. It stank of oil and exhaust smoke combined with a rank bodily odour. Manyia whimpered, loud enough for the intruder to hear. The male turned, eyes widening with surprise as it met Neridiath’s panicked gaze. The human opened its mouth, issuing a series of grunts and growls to its companion as it stepped across the threshold. Another followed, a step behind, of darker complexion, head hairless but with a growth of black curls on its chin. Neridiath realised what she should have done the moment she had heard the humans. Door shut! Lock! The ship responded instantly to Neridiath’s instinctive reflex, the door plates of the storage bay sliding together like an iris, cutting the second human in half. Head, torso and one arm flopped to the floor of the room in a spray of blood and bisected organs, the human’s piercing shriek cut short. The other human turned, mouth gaping in horror. As it moved Neridiath saw that the front of its tunic was open, revealing a chest crudely shorn of hair, a branded mark laid upon the left pectoral. A symbol she did not know in detail but recognised all the same – a rune of the Dark Gods. The human looked down in horror at the remains of its companion. It wavered slightly, unsteady on its feet, and then vomited, ejecting a stream of bile and half-digested matter onto the floor. Neridiath backed away, though there was nowhere to run, Manyia squirming in her grip. Retching twice more, the human straightened, slit-like animal eyes turning on the pilot, a lip curling in anger. It barked something, jabbing a finger towards the remnants of the other human, spittle flying from vomit-flecked lips. Neridiath started to cry, tears flowing down her cheeks, chest wracked by deep sobs. ‘Save me, ’ she whispered. She did not know to whom she pleaded for aid, perhaps the universe itself. She felt very small and alone and foolish all of a sudden. Fate could be as cruel as it was kind; there were no guarantees in life. ‘Save us. Don’t let this happen. ’ Through the mist of grief, she watched the human take a step closer, one hand closing around the grip of a pistol hung on its belt. It lifted the weapon and beckoned her to approach, snapping and snarling in its savage tongue. There was no power in the universe that was going to let this beast take her child. The pistol was pointed right at her, the demand repeated with greater volume. But even now she could not do what had to be done. She knew she was faster than the human. She could seize the pistol and fire it before the clumsy alien could stop her. But for all that the knowledge was there, the action was not. A terror deeper even than her fear for her child rooted her to the spot. She saw only one solution. Neridiath’s fingers closed around Manyia’s throat, while she told herself over and over that it would be a mercy for her daughter. There was no telling what the humans would do with an eldar child. Scare mummy! Die! Neridiath only caught the edge of the burst from Manyia. The full force of the psychic imperative was directed into the human’s thoughts, shaped not by language but by primal need. The human reeled back, wincing in pain. Its gaze moved to the child in Neridiath’s arms, half horrified, half confused. A trembling hand raised the pistol to its left eye. Manyia’s tiny face was set with a deep scowl, toothless gums bared, unfettered psychic energy gleaming in her dark eyes. Die! The human pulled the trigger, sending a bolt of energy searing into its skull. It fell backwards, arms flailing wide, head crashing against the floor. Neridiath watched the human, wary of any movement, but only spasmodic muscle twitches disturbed the body. Safe? Manyia started to cry and wriggled around to bury her face in Neridiath’s chest. The pilot’s thoughts veered between shock and horror and relief, the three emotions whirling together in an overwhelming mass. Through the haze she heard the sound of banging on the door. She realised it had started the moment the door had closed, but she had been focused entirely on the human inside the room. It was just a simple storage locker, not barred by a security door or blast portal. It would not take long for the humans to batter their way in. Safe? ‘Yes, safe, ’ Neridiath lied, eying the pistol that was still in the dead human’s grasp. Afterwards, Asurmen helps the mother deal with her issues, and her terror at becoming a murderer and a warrior. ‘I will not let her see that! I will not become what my mother became! ’ And there it was, the moment that had sown such dread in Neridiath. Asurmen latched onto it, burrowing his mind into hers, dragging free the suppressed memory. She was young, but old enough to know her own mind. Her mother stood at the door, looking back at her. Neridiath emanated waves of love, mingled with desperate hope and pleading. From her mother came nothing. Cold eyes regarded her as nothing more than bones and meat. A sneer lingered on her mother’s lips. Disdain, not love. The child’s eyes were drawn to the rune marked upon her mother’s brow. The symbol of the Fire Dragons writ in dried blood. She had never seen it before, always removed before her mother had left the shrine. It seemed a grotesque thing, an icon of anger and death. Her mother stayed at the threshold for some time and Neridiath sobbed, hiding her face in her hands. She felt the hot wetness of her tears and a thought occurred to her. She raced towards her mother, hands outstretched, hoping to use her tears to wipe away that dreadful rune. Neridiath’s mother caught her wrist in one hand and twisted, throwing the child to the ground. It had been a moment of instinct, no intent to harm or hurt behind it. Rubbing her arm, Neridiath looked up and saw that there was no response from her mother. She seemed neither glad nor ashamed. ‘Come away. ’ Neridiath turned at the sound of her older cousin’s voice from the doorway behind her. She glanced back and saw Fasainarath standing with his hand held out to her. ‘Come here, Neth, away from that thing. ’ Thing. Her mother was a thing now. That thing had a name. She was dimly aware of it, spoken in whispers by her family and friends, acknowledged but never welcome. Exarch. Her mother was an exarch, driven to bloodshed and the worship of Khaine until she died. What she had been was lost. Now all that remained was the warrior. Reeling, Asurmen broke his mind free of Neridiath’s. He had encountered many exarchs in his long existence. Indeed he had been the first. But never before had he understood the transition, the effect it had on others. Seeing a spirit becoming trapped on the Path of the Warrior through Neridiath’s eyes made him understand from whence her fear stemmed. This was the place she had returned to, cornered in the storage bay. Her thought had not been for herself but for Manyia, not her daughter’s death but the loss of her innocence. ‘You are not your mother, ’ he said firmly, stepping past the candle to lay a hand on her shoulder. He had assumed his warrior countenance again, clad in blue armour. The psyche-shrine became light around them, a bare white chamber in the centre of his mind. ‘Very few that tread the Warrior’s Road become trapped. You are stronger than she was. ’ ‘What if I like it? The killing? ’ ‘You will, ’ Asurmen told her. The truth could not be avoided. ‘You cannot fight that. You will feel triumph and dismay in equal weight. You will desire thrill of battle, the rush of blood. These are things that we cannot deny about ourselves. I will teach you how to control them, how to harness the incredible powers that our bodies have been gifted by our ancestors. You will become the weapon and you will learn to draw the war mask so that the shame and the hunger can be kept at bay, unleashed like a beast when necessary, caged when not needed. That beast lurks within you, unfettered, ready to burst free. You are a danger to your daughter if you do not learn how to handle it. ’ ‘But I have to fight now. You want me to attack those ships. I can’t… I can’t lose Manyia. What if she senses my bloodlust. I won’t defile her! ’ ‘You have to fight. ’ Asurmen’s voice became an insistent growl. ‘You have only irrational fear to conquer. The threat is real, your dread is not. You can break the fear, but only if you try. Now you have the opportunity to prove to yourself that you are not a monster. Use it! ’ She had a weapon, as much as if she had a knife or pistol in hand. She was the Patient Lightning and the ship’s warlike creed seeped into her thoughts, provoking her, telling her that there was nothing to fear. She did not fight the desire. She embraced it. She had chosen to be powerless, but that had simply been the choice to be a victim. Neridiath recognised that what she wanted more than anything else was revenge. She felt tainted, broken by the realisation, but it did not make the desire go away. It was a part of who she was, a seed sown by recent events. She could allow it to become a cancerous growth, poisoning her thoughts, driving a rift between her and her daughter, or she could accept that she was not perfect, in thought or philosophy. ‘I don’t know how to fight, ’ Neridiath murmured, but even as the thought occurred she realised it was not true. She was part of the Patient Lightning and the battleship had been fighting for longer than its pilot had been alive. She opened herself up to the starship, letting herself become its consciousness, the mortal link needed for its immortal spirits. (... ) She felt disgusted, at herself and what she had done. The memory of the happiness the deaths of her enemies brought her flooded back, but she could recognise the bitterness behind it. She sensed Hylandris standing close at hand, but dared not look up, afraid of what she would feel when she saw Manyia. Her daughter had lashed out in infantile ignorance, but Neridiath had just murdered thousands of humans in cold blood. What message was that for her daughter? ‘We fight or we die, ’ Hylandris said, laying a hand on her shoulder. Neridiath shrugged it off but he placed it again, squeezing reassuringly. ‘It is the legacy the past has left for our people. We do not have the luxury of inactivity, or we would become casual observers of our own doom, as we were before. ’ Neridiath stood up, grimacing, and took Manyia from him. The child was asleep still, oblivious to everything that had happened, unknowing of her mother’s strife. Untainted, thought the pilot, and the realisation brought tears of relief. ‘What happens now? ’ she asked. ‘What do I have to do? ’ ‘I do not know, but you are not the first to feel this way, and will not be the last. The Path exists for us to manage these emotions so that they can no longer destroy us. ’ ‘I have to become an Aspect Warrior? ’ she asked, the horror of the thought almost choking the words in her throat. ‘Yes, ’ said Hylandris, moving his hand from her shoulder to Manyia. ‘For her sake, you must move onto the next stage of the Path. In time it will bring solace and you will become closer to your daughter without the burden of fear hanging on your spirit. You have to banish your anguish in the temples of Khaine. I know that if there is any being that can tell you the truth of this, it is Asurmen. ’ All these excerpts clearly point to the fact that non-Drukhari Eldar see murder and war as an extremely serious fact. Something to be lamented, even if it bring excitement and a guilty pleasure to be in some way controlled. The Path is the way devised to defuse, control and bring away the taint that revelling in unrestrained killing is. Craftworlders (and arguably Exodites and Harlequins) are clearly more in touch with their emotions and moral compass than almost anyone else in the galaxy, except the Tau. And perhaps that's one of the main reason for Eldrad and many other Craftworld to like them. I hope these excerpts bring some food for thought.

 

Afterward. Afterward crossword clue. Afterwards crossword. Afterwards matthew stevenson. KEEEP POSTING THEY ARE GIVING ME LIFE I LOVE HOW MUCH YOU BOTH LOVE EACHOTHER ITS SO SWEET. Afterward edith wharton audiobook. Afterward in hindi.

 

 



edu.apps01.yorku.ca/alumni/groups/without-registering-afterward-movie-stream

https://vigilantedeseguridad.blogia.com/2020/022904--124-hindi-124-free-download-afterward.php

https://seesaawiki.jp/zushimoji/d/4096X3072%20AFTERWARD%2035

edu.apps01.yorku.ca/alumni/groups/free-full-afterward-watch-here-1280p-youtube-at-dailymotion

https://edu.apps01.yorku.ca/alumni/groups/megavideo-watch-free-afterward/

form.run/@hindi-watch-free-afterward

stackoverflow.com/cv/dailymotion-download-movie-afterward

https://www.bitchute.com/video/U0E3y5lvUysC/

https://edu.apps01.yorku.ca/alumni/groups/without-registering-watch-free-afterward/

https://edu.apps01.yorku.ca/alumni/groups/hd-watch-afterward/

Writer: Tails the Vixen
Biography: //PFP by Toils (formerly Tails 3-blog)